Author: Susie Kalil
Publisher: Texas A&M University Press
Presenting the unique vision of an American original . . . Alexandre Hogue, a renowned artist whose career spanned from the 1920s to his death in 1994, inherited the view of an America that imagined itself as filled with limitless potential for improvement, that considered high art and great ideas accessible to ordinary working people, and that saw no reason for an intellectual chasm between a learned elite and the masses. He always viewed himself as a radical, yet his passion stemmed from a deeply conservative idea: that art, culture, and nature should form a central force in the life of every human being. His well-known Dust Bowl series labeled him as a regionalist painter, but Hogue never accepted that identity. His work reveals the spirit of Texas and the Southwest as he experienced it for nearly a century. In his later years Hogue worked in forms of crisply rendered nonobjective and calligraphic one-liner paintings. Bringing to light new information regarding the Erosion and Oil Industry series, this book gives special attention to lesser known, post-1945 works, in addition to the awe-inspiring Moon Shot and final Big Bend series. Each series—from the hauntingly beautiful Taos landscapes and prophetic canvases of a dust-covered Southwest to his depictions of the fierce geological phenomena of the Big Bend—serves as a paean to the awesomeness of nature. Houston-based curator and critic Susie Kalil grew close to Hogue from 1986 to 1994, a time during which she interviewed him, considered his oeuvre with him, and came to share his vision of the nature and purposes of art. In Alexandre Hogue she reveals Hogue as he presented himself and his work to her. Collections with Alexandre Hogue's paintings: Musee National D'Art Moderne, Pompidou, Paris DallasMuseum of Art Museum of Fine Arts, Houston The GilcreaseMuseum, Tulsa The Philbrook Museum of Art, Tulsa University of Tulsa Tulsa Performing ArtsCenter Smithsonian Institution (NationalMuseum of American Art), Washington, DC OklahomaMuseum of Art, Okla City The SheldonMuseum of Art, University of Nebraska, Lincoln PhoenixArt Museum University of Arizona, Tucson Art Museum of SouthTexas, Corpus Christi Panhandle Plains Historical Museum, Canyon, Tx. StarkMuseum, Orange, Tx Southern MethodistUniversity, Dallas SpringfieldArt Museum, Springfield, Missouri WeatherspoonArt Museum, University of North Carolina at Greensboro The Federal Reserve Bank, Dallas The Williams Companies, Tulsa
Author: Janette-Susan Bailey
This book takes the Dust Bowl story beyond Depression America to describe the ‘dust bowl’ concept as a transnational phenomenon, where during World War Two, US and Australian national mythologies converged. Dust Bowl begins with Depression America, the New Deal and the US Dust Bowl where massive dust storms darkened the skies of the Great Plains and triggered a major national and international media event and generated imagery describing a failed yeoman dream, Dust Bowl refugees, and the coming of a new American Desert. Dust Bowl traces the evolution of this imagery to Australia, World War Two and New Deal-inspired stories of conservation-mindedness, soil erosion and enemies, sheep-farmers and traitors, creeping deserts and human extinction, super-human housewives and natural disaster and finally, grand visions of a nation-building post-war scheme for Australia’s iconic Snowy River‒that vision became the Snowy Mountains Hydro-electric Scheme.
Author: Kaleta Doolin
Publisher: Texas A&M University Press
In 1932 C.E. Doolin, the operator of a struggling San Antonio confectionery, purchased for $100 the recipe for a fried corn chip product and a crude device used to make it, along with a list of nineteen customer accounts. From that humble beginning sprang Fritos ('fries' in Spanish), a product that, thanks to Doolin's marketing ingenuity and a visionary approach to food technology, would become one of the best-known brands in America. Fritos Pie is an insider's look at the never-before-told story of the Frito Company written by Kaleta Doolin, daughter of the company's founder. Filled with personal anecdotes, more than 150 recipes, and stories, this book recounts the company's early days, the 1961 merger that created Frito-Lay, Inc., and beyond.
Bats of Texas
Author: Loren K. Ammerman, Christine L. Hice, David J. Schmidly
Publisher: Texas A&M University Press
With all new illustrations, color photographs, revised species accounts, updated maps, and a sturdy flexible binding, this new edition of the authoritative guide to bats in Texas will serve as the field guide and all-around reference of choice for amateur naturalists as well as mammalogists, wildlife biologists, and professional conservationists. Texas is home to all four families of bats that occur in the United States, including thirty-three species of these important yet increasingly threatened mammals. Although five species, each represented by a single specimen, may be regarded as vagrants, no other state has a bat fauna more diverse, from the state’s most common species, the Brazilian free-tailed bat, to the rare hairy-legged vampire. The introductory chapter of this new edition of Bats of Texas surveys bats in general—their appearance, distribution, classification, evolution, biology, and life history—and discusses public health and bat conservation. An updated account for each species follows, with pictures by an outstanding nature photographer, distribution maps, and a thorough bibliography. Bats of Texas also features revised and illustrated dichotomous keys accompanied by gracefully detailed line drawings to aid in identification. A list of specimens examined is located at batsoftexas.com.
Author: Paul V. Chaplo
Publisher: Texas A&M University Press
Take an unforgettable sky excursion over Big Bend with photographer Paul Chaplo as he captures the shapes, textures, and colors of the craggy, weathered landforms people usually see only from the ground—and some places no photographer has gone before. Flying from Marfa, and hanging precariously from the open door of an aircraft, Chaplo shares a hawk's eye view of a fiercely beautiful region, revealing the stark and magnificent landscapes carved by the force of eons of wind and water on the arid, mountainous country along the Rio Grande.
O. Winston Link photographed the Norfolk and Western, the last major steam railroad in the United States, when it was converting its operations from steam to diesel in the 1950s. Link’s N&W project captured the industry at a moment of transition, before the triumph of the automobile and the airplane that ended an era of passenger rail service. His work also revealed a small-town way of life that was about to experience seismic shifts and, in many cases, vanish completely. Including a collection of more than 180 of Link’s most famous works and rare images that have never before been published, O. Winston Link: Life Along the Line offers a moving account of the people and communities surrounding the last steam railroad.
The Mirror & the Mask
Author: Paloma Alarcó, Malcolm Warner, Museo Thyssen-Bornemisza, Kimbell Art Museum
Catalogue of an exhibition held at the Kimbell Art Museum in Fort Worth 17 June to 16 September 2007.
In the 1930s and 1940s, along with other members of a loosely affiliated group of artists known as the Dallas Nine, Jerry Bywaters pioneered the style later termed “Lone Star Regionalism.” Working with equal ability in oil, watercolor, tempera, and pastel, Bywaters portrayed the natural world, towns, and people of Arizona, Colorado, New Mexico, and West Texas. This stunning retrospective volume of Bywaters’s paintings—more than forty of them arranged in a full-color gallery—vividly interprets the American Southwest. Underlying all of Bywaters’s work was some perspective on the interaction of people and the land. With character always the central feature, his portraiture featured a wide variety of subjects, from a prominent Dallas architect to two anonymous nuns the artist saw on a train and an unnamed member of the Navajo tribe he met on a visit to Shiprock, Arizona. He also depicted individuals in various tasks of everyday life, whether cowboys at a rodeo, oil field workers wrestling with a drill bit, or Mexican women washing clothes in a stream. In addition to the color gallery, the text is illustrated with letters, photographs, and ephemera from the artist’s papers, the Jerry Bywaters Collection on Art of the Southwest, housed in SMU’s Jake and Nancy Hamon Arts Library. Essays by three scholars who knew and worked with Bywaters—Sam Ratcliffe, John Lunsford, and Francine Carraro—add context and detail about his contributions, and an introduction by William H. Gerdts sets the stage for appreciating the art. Bywaters directed the Dallas Museum of Fine Arts (now the Dallas Museum of Art) for two decades beginning in 1943. This book originated in conjunction with the exhibition, “Jerry Bywaters, Interpreter of the Southwest,” at SMU’s Meadows Museum of Art, November 30, 2007–February 24, 2008.
Find Me Unafraid
Author: Kennedy Odede, Jessica Posner
Find Me Unafraid tells the uncommon love story between two uncommon people whose collaboration sparked a successful movement to transform the lives of vulnerable girls and the urban poor. With a Foreword by Nicholas Kristof. This is the story of two young people from completely different worlds: Kennedy Odede from Kibera, the largest slum in Africa, and Jessica Posner from Denver, Colorado. Kennedy foraged for food, lived on the street, and taught himself to read with old newspapers. When an American volunteer gave him the work of Mandela, Garvey, and King, teenaged Kennedy decided he was going to change his life and his community. He bought a soccer ball and started a youth empowerment group he called Shining Hope for Communities (SHOFCO). Then in 2007, Wesleyan undergraduate Jessica Posner spent a semester abroad in Kenya working with SHOFCO. Breaking all convention, she decided to live in Kibera with Kennedy, and they fell in love.Their connection persisted, and Jessica helped Kennedy to escape political violence and fulfill his lifelong dream of an education, at Wesleyan University. The alchemy of their remarkable union has drawn the support of community members and celebrities alike—The Clintons, Mia Farrow, and Nicholas Kristof are among their fans—and their work has changed the lives of many of Kibera’s most vulnerable population: its girls. Jess and Kennedy founded Kibera’s first tuition-free school for girls, a large, bright blue building, which stands as a bastion of hope in what once felt like a hopeless place. But Jessica and Kennedy are just getting started—they have expanded their model to connect essential services like health care, clean water, and economic empowerment programs. They’ve opened an identical project in Mathare, Kenya’s second largest slum, and intend to expand their remarkably successful program for change. Ultimately this is a love story about a fight against poverty and hopelessness, the transformation made possible by a true love, and the power of young people to have a deep impact on the world.
My Life and An Era
Author: John Hope Franklin, John Whittington Franklin
Publisher: LSU Press
“My father’s life represented many layers of the human experience—freedman and Native American, farmer and rancher, rural educator and urban professional.”—John Hope Franklin Buck Colbert Franklin (1879–1960) led an extraordinary life; from his youth in what was then the Indian Territory to his practice of law in twentieth-century Tulsa, he was an observant witness to the changes in politics, law, daily existence, and race relations that transformed the wide-open Southwest. Fascinating in its depiction of an intelligent young man's coming of age in the days of the Land Rush and the closing of the frontier, My Life and an Era is equally important for its reporting of the triracial culture of early Oklahoma. Recalling his boyhood spent in the Chickasaw Nation, Franklin suggests that blacks fared better in Oklahoma in the days of the Indians than they did later with the white population. In addition to his insights about the social milieu, he offers youthful reminiscences of mustangs and mountain lions, of farming and ranch life, that might appear in a Western novel. After returning from college in Nashville and Atlanta, Franklin married a college classmate, studied law by mail, passed the bar, and struggled to build a practice in Springer and Ardmore in the first years of Oklahoma statehood. Eventually a successful attorney in Tulsa, he was an eyewitness to a number of important events in the Southwest, including the Tulsa race riot of 1921, which left more than 100 dead. His account clearly shows the growing racial tensions as more and more people moved into the state in the period leading up to World War II. Rounded out by an older man’s reflections on race, religion, culture, and law, My Life and an Era presents a true, firsthand account of a unique yet defining place and time in the nation's history, as told by an eloquent and impassioned writer.
More than 125 images reproduce the mural art that graces the walls of some of Texas' post offices, with descriptions of how the murals were created and how they helped celebrate the lives, history, hopes, and dreams of ordinary Americans.
An Imperfect Union
Author: Paul Finkelman
Publisher: The Lawbook Exchange, Ltd.
"In short, we have a first-rate study of an important constitutional symbol of disunion." --Donald Roper, American Journal of Legal History 26 (1982) 255. Finkelman describes the judicial turmoil that ensued when slaves were taken into free states and the resultant issues of comity, conflict of laws, interstate cooperation, Constitutional obligations, and the nationalization of slavery. "Other scholars have defined the antebellum constitutional crisis largely in terms of the extension of slavery to the territories and the return of fugitive slaves. Finkelman's study demonstrates that the comity problem was also an important dimension of intersectional tension. It is a worthy addition to the growing literature of slavery." -- James W. Ely, Jr., California Law Review 69 (1981) 1755. Paul Finkelman is the President William McKinley Distinguished Professor of Law and Public Policy and Senior Fellow, Government Law Center, Albany Law School. He is the author of more than 200 scholarly articles and more than 35 books including A March of Liberty: A Constitutional History of the United States, with Melvin I. Urofsky (2011), Slavery, Race and the American Legal System, 1700-1872 (editor) (1988) and Slavery in the Courtroom (1985).
Author: Mary Whyte
Publisher: Univ of South Carolina Press
In Working South, renowned watercolorist Mary Whyte captures in exquisite detail the essence of vanishing blue-collar professions from across ten states in the American South with sensitivity and reverence for her subjects. From the textile mill worker and tobacco farmer to the sponge diver and elevator operator, Whyte has sought out some of the last remnants of rural and industrial workforces declining or altogether lost through changes in our economy, environment, technology, and fashion. She shows us a shoeshine man, a hat maker, an oysterman, a shrimper, a ferryman, a funeral band, and others to document that these workers existed and in a bygone era were once ubiquitous across the region. "When a person works with little audience and few accolades, a truer portrait of character is revealed," explains Whyte in her introduction. As a genre painter with skills and intuition honed through years of practice and toil, she shares much in common with the dedication and character of her subjects. Her vibrant paintings are populated by men and women, young and old, black and white to document the range Southerners whose everyday labors go unheralded while keeping the South in business. By rendering these workers amid scenes of their rough-hewn lives, Whyte shares stories of the grace, strength, and dignity exemplified in these images of fading southern ways of life and livelihood. Working South includes a foreword by Martha Severens, curator of the Greenville County Museum of Art in Greenville, South Carolina.