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Art and the wish to die

Art and the wish to die

Author: Fred Cutter
Publisher: Burnham Inc Pub
ISBN:
Pages: 294
Year: 1983-04

Aspects of Death in Early Greek Art and Poetry

Aspects of Death in Early Greek Art and Poetry

Author: Emily Vermeule
Publisher: Univ of California Press
ISBN: 0520044045
Pages: 270
Year: 1981-01-01
The ancient Greeks devoted a significant portion of their poetic and artistic energy to exploring themes of death. Vermeule examines the facts and fictions of Greek death, including burial and mourning, visions of the underworld, souls and ghosts, the value of heroic death in battle, the quest for immortality, the linked powers of death, sleep, and love, and more.
Art of Death

Art of Death

Author: Nigel Llewellyn
Publisher: Reaktion Books
ISBN: 1780231512
Pages: 160
Year: 2013-06-01
How did our ancestors die? Whereas in our own day the subject of death is usually avoided, in pre-Industrial England the rituals and processes of death were present and immediate. People not only surrounded themselves with memento mori, they also sought to keep alive memories of those who had gone before. This continual confrontation with death was enhanced by a rich culture of visual artifacts. In The Art of Death, Nigel Llewellyn explores the meanings behind an astonishing range of these artifacts, and describes the attitudes and practices which lay behind their production and use. Illustrated and explained in this book are an array of little-known objects and images such as death's head spoons, jewels and swords, mourning-rings and fans, wax effigies, church monuments, Dance of Death prints, funeral invitations and ephemera, as well as works by well-known artists, including Holbein, Hogarth and Blake.
Mirrors of Mortality (Routledge Revivals)

Mirrors of Mortality (Routledge Revivals)

Author: Joachim Whaley
Publisher: Routledge
ISBN: 1136810609
Pages: 262
Year: 2012-08-06
First published in 1981, this reissue examines mankind’s preoccupation with death and mortality by isolating various societies in different periods of time. The authors examine not only the formal rituals associated with the last rite of passage, but also the social attitudes to death and dying which these rituals evidence. The essays establish that different periods do seem to be characterized by different images of death and attitudes to it, but the authors wisely avoid trying to impose strict chronological pattern. A pioneering work in the historical study of attitudes to death, this reissue should reignite discussion on the significance of death in human history. Christiane Sourvinou-Inwood examines attitudes to death as reflected in myth and religious thought in Ancient Greece and relates them to social and economic change. R. C. Finucane analysis the social significance of the ‘exemplary’ deaths of kings, criminals, traitors and saints in medieval Europe. Paul Fritz’s essay illustrates the importance of royal burials in early modern Britian; while Joachim Whaley examines the social and political significance of funerals in Hamburg between 1500 and 1800. John McManners discusses the work of Phililppe Aries and other prominent French scholars on the history of attitudes to death. David Irwin examines the images of death portrayed in European tombs around 1800. C.A Bayly analyzes the relationship between death ritual and society in Hindu Northern India, while David Cannadine discusses the impact of war on attitudes to death in modern Britain.
From Autothanasia to Suicide

From Autothanasia to Suicide

Author: Anton J. L. van Hooff
Publisher: Routledge
ISBN: 113495378X
Pages: 328
Year: 2002-09-11
Using almost a thousand case studies, both real and fictional, Dr van Hooff provides us with a unique and engaging insight into self-killing in the Graeco-Roman world. The author analyses the methods and motives which lie behind self-killing relating them to ancient popular morality as it appears in the various media and traces the development of the concept of self-murder, as opposed to the original idea of autothanasia, which lies at the root of the Christian abhorrence of suicide.
Art of Suicide

Art of Suicide

Author: Ron Brown
Publisher: Reaktion Books
ISBN: 1861896867
Pages: 240
Year: 2004-01-02
The Art of Suicide is a history of the visual representation of suicide from the ancient world to its decriminalization in the 20th century. After looking at instances of voluntary death in ancient Greece, Ron Brown discusses the contrast between the extraordinary absence of such events in early Christianity and the proliferation of images of biblical suicides in the late medieval era. He emphasizes how differing attitudes to suicide in the early modern world slowly merged, and pays particular attention to the one-time chasm between so-called heroic suicide and self-destruction as a "crying crime". Brown tracks the changes surrounding the perception of suicide into the pivotal Romantic era, with its notions of the "man of feeling", ready to hurl himself into the abyss over a woman or an unfinishable poem. After the First World War, the meaning of death and attitudes towards suicide changed radically, and in time this led to its decriminalization. The 20th century in fact witnessed a growing ambivalence towards suicidal acts, which today are widely regarded either as expressions of a death-wish or as cries for help. Brown concludes with Warhol's picture of Marilyn Monroe and the videos taken by the notorious Dr Kevorkian.
The Greek Way of Death

The Greek Way of Death

Author: Robert Garland
Publisher: Cornell University Press
ISBN: 0801487463
Pages: 198
Year: 2001
Surveying funerary rites and attitudes toward death from the time of Homer to the fourth century B.C., Robert Garland seeks to show what the ordinary Greek felt about death and the dead. The Second Edition features a substantial new prefatory essay in which Garland addresses recent questions and debates about death and the early Greeks. The book also includes an updated Supplementary Bibliography. Praise for the first edition: "This [volume] contains a rich and remarkably complete collection of the abundant but scattered literary, artistic, and archaeological evidence on death in the ancient world as well as an extensive bibliography on the subject. Robert Garland conceives of death as a process, a rite of passage, a mutual but changing relationship between the deceased and [his or her] survivors. . . . A most useful collection of evidence, sensibly organized (no small feat) and lucidly presented. . . . A valuable source on the Greeks and on the always-lively subject of death."—American Historical Review "Much can be learned from this engaging survey of popular attitudes toward death, the dying, and the dead in Greece down to the end of the Classical period. . . . Appealing to scholars and the general audience."—Religious Studies Review
Picturing Death in Classical Athens

Picturing Death in Classical Athens

Author: John H. Oakley
Publisher: Cambridge University Press
ISBN: 0521820162
Pages: 306
Year: 2005-03-07
The Attic white lekythoi, funerary vases long appreciated for their beautiful polychrome images, evoke the style of lost classical wall and mural paintings. This richly illustrated volume closely examines the four major types of scenes: domestic pictures; the mythological conductors of the soul; the prothesis (wake); and visits to the grave. John Oakley analyzes these pictures in context, documenting relationships between the "rites of passage," Athenian history, and the changing perceptions of death in fifth-century Athens.
Ruhm und Unsterblichkeit.

Ruhm und Unsterblichkeit.

Author: Klaus Thiele-Dohrmann
Publisher:
ISBN:
Pages: 272
Year: 2000

Suicide and Euthanasia

Suicide and Euthanasia

Author: B.A. Brody
Publisher: Springer Science & Business Media
ISBN: 9401578389
Pages: 288
Year: 2013-04-17

The Experience of Death ; The Moral Problem of Suicide

The Experience of Death ; The Moral Problem of Suicide

Author: Paul-Louis Landsberg
Publisher:
ISBN:
Pages: 102
Year: 1953

Marsden Hartley's Maine

Marsden Hartley's Maine

Author: Donna M. Cassidy, Elizabeth Finch, Randall R. Griffey
Publisher: Metropolitan Museum of Art
ISBN: 1588396134
Pages: 184
Year: 2017-03-13
Marsden Hartley had a lifelong personal and aesthetic engagement with Maine, where he was born in 1877 and where he died at age sixty-six. As an important member of the artistic circle promoted by Alfred Stieglitz, Hartley began his career by painting the mountains of western Maine. He subsequently led a peripatetic life, traveling throughout Europe and North America and only occasionally visiting his native state. By midlife, however, his itinerant existence had taken an emotional toll, and he confided to Stieglitz that he wanted “so earnestly a ‘place’ to be.” Finally returning to the state in his later years, he transformed his identity from urbane sophisticate to “the painter from Maine.” But while Maine has played a clear and defining role in Hartley’s art, not until now has this relationship been studied with the breadth and richness it warrants. p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 14.0px Verdana} Marsden Hartley’s Maine is the first in-depth discussion of Hartley’s complex and shifting relationship to his native state. Illustrated with works from throughout the painter’s career, it provides a nuanced understanding of Hartley’s artistic range, from the exhilarating Post-Impressionist landscapes of his early years to the late, roughly rendered paintings of Maine and its people. The absorbing essays examine Hartley’s view of Maine as a place of light and darkness whose spirit imbued his art, which encompassed buoyant coastal views, mournful mountain vistas, and portraits of Mainers. An illustrated chronology provides an overview of Hartley’s life, juxtaposing major personal incidents with concurrent events in Maine’s history. For Hartley, who was strongly influenced by such artists as Paul Cézanne, Winslow Homer, and Albert Pinkham Ryder, Maine was an enduring source of inspiration, one powerfully intertwined with his past, his cultural milieu, and his desire to create a regional expression of American modernism.
Ancient Greece

Ancient Greece

Author: Sarah B. Pomeroy, Stanley M. Burstein, Walter Donlan, David W. Tandy
Publisher: Oxford University Press, USA
ISBN: 019068691X
Pages: 592
Year: 2017
Revised and updated throughout, the fourth edition of Ancient Greece presents the political, social, cultural, and economic history and civilization of ancient Greece in all its complexity and variety. Written by six leading authorities on the classical world, this captivating study covers theentire period from the Bronze Age through the Hellenistic Era.
Early Modern Color Worlds

Early Modern Color Worlds

Author: Tawrin Baker, Sven Dupré, Sachiko Kusukawa, Karin Leonhard
Publisher: BRILL
ISBN: 9004316604
Pages: 316
Year: 2016-09-23
Many challenges hinder the historical study of early modern color. These essays offer a way forward through the category of ‘color worlds’—constituted by practices, concepts and objects—and examine the emergence of the languages and objects used to communicate between them.
Paint the Revolution

Paint the Revolution

Author: Renato Gonz Mello
Publisher:
ISBN: 0300215223
Pages: 432
Year: 2016-11-01
A comprehensive look at four transformative decades that put Mexico's modern art on the map In the wake of the 1910-20 Revolution, Mexico emerged as a center of modern art, closely watched around the world. Highlighted are the achievements of the tres grandes (three greats)--Jos� Clemente Orozco, Diego Rivera, and David Alfaro Siqueiros--and other renowned figures such as Rufino Tamayo and Frida Kahlo, but the book goes beyond these well-known names to present a fuller picture of the period from 1910 to 1950. Fourteen essays by authors from both the United States and Mexico offer a thorough reassessment of Mexican modernism from multiple perspectives. Some of the texts delve into thematic topics--developments in mural painting, the role of the government in the arts, intersections between modern art and cinema, and the impact of Mexican art in the United States--while others explore specific modernist genres--such as printmaking, photography, and architecture. This beautifully illustrated book offers a comprehensive look at the period that brought Mexico onto the world stage during a period of political upheaval and dramatic social change.